November 10, 2019

Theatre is, by its nature, collaborative. That's what I really love about it. It's what makes the art form so alive. When an author writes a book, there's usually only one interpretation of the text: the reader. Of course, there's input from the editors, the publishers, etc., but in the actual ingestion of the art it goes from the words that were written by the creator straight into the mind of the reader and that reader interprets the story.

With theatre it's different. A playwright writes words and then those words are interpreted by artists. A director creates the vision of the show. The designers create the world and space and texture of the play to come to life in. Actors bring the characters to life. Each of these add an interpret...

November 4, 2019

In 2018, The Grind became my first play to be produced internationally when it was performed at the 2018 Sydney Short + Sweet Festival in Sydney, Australia. That play went on to win first place in Judge's Choice and second place in People's Choice in its series in the festival and Third Place for Judge's Choice in the Wildcard Finals for the entire festival. This week, I got more excited news about these great festivals!

The Grind. Performed at Theatre New Vintage's Black Cat Cabaret in 2017. Directed by Ashley Plomp.

Today I was notified that my latest 10-minute play Dispatch (which was produced for the first time this summer at the New Market National Play Festival, in New Market, Ontario) has been shortlisted for not one but two Short + Sw...

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