November 30, 2019

I'm quite fond of this thrilling little play. I wrote Dispatch last October as I was getting in the mood for Halloween and after that's it's gone on to great success. It was a finalist in Theatre New Vintage's 2019 Play Competition and then went on to gain its first production in Ontario this past summer. After announcing that the play was shortlisted for two Short + Sweet Festivals around the world, I'm very pleased to announce that Dispatch will be receiving a production on the other side of the Pacific in Sydney, Australia early next year!

Kiana Woo, Katherine Cappellacci, Kayne Wylie in the NNPF 2019 production of Dispatch by Andrew G. Cooper. Directed by Trevor Curran. Scenic design, Ellen Brooker. Costume Design, Madeline Ius...

November 4, 2019

In 2018, The Grind became my first play to be produced internationally when it was performed at the 2018 Sydney Short + Sweet Festival in Sydney, Australia. That play went on to win first place in Judge's Choice and second place in People's Choice in its series in the festival and Third Place for Judge's Choice in the Wildcard Finals for the entire festival. This week, I got more excited news about these great festivals!

The Grind. Performed at Theatre New Vintage's Black Cat Cabaret in 2017. Directed by Ashley Plomp.

Today I was notified that my latest 10-minute play Dispatch (which was produced for the first time this summer at the New Market National Play Festival, in New Market, Ontario) has been shortlisted for not one but two Short + Sw...

October 3, 2019

Auditions can be a dreadful thing as a performer. It seems like nobody really likes them. Most people I talk to, whether they be actors, dancers, stage managers, or casting directors, don't like the audition process. But it doesn't seem like anyone has a better way of hiring artists for contracted theatre work (I certainly haven't thought of a better way) so here we are, season after season doing auditions the same old way. 

As a director, I actually really enjoy hosting auditions. So little of my job as an Artistic Producer is actually directing, so whenever I can flex my skills and practice my craft, even for 15 minutes at a time in an audition or callback, I'm happy.

Over the last two weeks, I held auditions for three productions I'm...

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